By tess Alekseev
Sylvia Plath’s semi-autobiographical book The Bell Jar is a difficult topic. It’s the poet’s only novel, published in England just a month before her suicide in 1963, and posthumously in America in 1971.
On one hand, many argue that it’s a classic, and that it should be compulsory in high school literature courses: it’s witty, it’s heartbreaking, and it reaches to impossible depths of the human psyche. On the other, it’s criticized for being too depressing, too graphic, and try-hard.