October and November prove to be bland for filmgoers everywhere
By Jimmy Fortuna-Peak
This murder mystery adaptation of the popular Norwegian novel, The Snowman, starts off with an intriguing and suspenseful first act, but fails to keep its excitement and credibility throughout the runtime of the film. The Snowman follows Oslo Police homicide detective, Harry Hole, and his investigations into the mysterious murders and disappearances plaguing the city. The film, overall, has decent pacing, and there are great scenes of suspense that will keep you at the edge of your seat. However, the movie confuses the audience on what it wanted its tone to be. The film’s tone is a mix between a modern day crime thriller and a neo-noir, but it never fully commits to one side. The acting is very bland, and Michael Fassbender, who is usually one of the better actors in the business, gives a rare honed in performance as Harry Hole. There are many plotlines that don’t seem relevant to the overall story arch, and the ending is unsatisfying and, quite honestly, uncomfortable. The Snowman is an extremely disappointing adaptation that fails to give a fluid and coherent story.